THE two security guards welcomed me as I walked into the Kinta
Mining Kongsi and handed me a ticket. I knew that admission was free, so
I was a bit surprised to receive a ticket. I had entered the Kinta Tin
Mining Museum. Located in Kampar, Perak, this one-year-old museum is a
wonderful display of artifacts and relics from the days of tin mining.
I know for many Malaysians, learning about tin mining (gravel pump)
at school was probably one of those dull subjects that held little
interest for a child. But for me, a foreigner in Malaysia, I am
fascinated by the subject and love any opportunity to learn more about
the bygone days of the tin mining industry. I guess this is related to
my love of caves, although, of course, mines are man-made whereas caves
are totally natural.
As I walked into the outdoor compound, I noticed a couple of people
in the corner. I was quite glad I wasn’t the only visitor on a Monday
morning. I was soon absorbed looking at the first display of a palong (where
the tin is separated from the sludge). However, I was a bit puzzled
when I glanced over and realised that the figures hadn’t moved. I looked
again, and the penny dropped. They weren’t people, but life-sized
models of tin miners.
Apart from the display of actual machines and equipment, the museum
has incorporated many such figures to show the various jobs done by tin
miners. These include two female dulang (manual separation of the tin ore using a pan) washers
and a group of men moving stones and operating a gravel pump. In fact,
there were several more of these figures in the outdoor exhibition area.
It is a commendable tribute to the men and women who sweated and toiled
in this industry.
The sun was beating down during my visit, adding to the atmosphere
as I could imagine the tin miners being out in similar conditions during
their working day. They would have had to endure all the elements – hot
sun, rain and high humidity. I was glad I was only walking around, not
actually having to do any work.
From the palong area, I had a look at the large machinery that
included generators, engines and pumps, as well as huge buckets from a
dredge.
The next group of life-sized models puzzled me as there were no
labels and I wasn’t sure what they were doing. They seemed to be
pounding poles into the ground which I assume is a vital process in the
tin extraction process, but I couldn’t be sure! However, I found out
later in the exhibition that they were “prospecting”.
Generally, the exhibits were adequately labelled, although some could do with more explanation.
I’ve been lucky enough in the past to visit operational open-cast
tin mines in Perak, so I have first-hand knowledge of how tin is
extracted. Names such as gravel pump, palong, sluice and pig basket are
familiar to me. So, it was good to see examples of these on display, as
well as an old tractor and lorry.
I then moved into the coolness of the exhibition hall which is
divided into two large rooms. The first one I entered has two floors.
Lots of old photos and small tools can be found downstairs, as well as
tableaux representing a kitchen and dining area and also a shop for
trading tin.
In the middle of the hall is a collection of large tree trunks. I
thought they were for decoration until I read they are actually part of a
fossilised tree trunk named “The Star”. This was discovered about 1978
in the nearby Batu Karang tin mine. It was ignored, along with several
other fossilised trunks for 30 years. Then “The Star” found a new home
in the museum and a piece was sent to the USA for radiocarbon dating –
it proved to be around 6,500 years old and is so well-preserved, having
been buried in sediments for all that time. The Forest Research
Institute of Malaysia (FRIM) identified it as a chengal tree.
The space upstairs is devoted mostly to documents and charts
relating to mining and geology. The earliest records of the Malaysian
tin industry are dated 1851, when tin production was far higher than
that of both Indonesia and Thailand combined.
I moved into the next gallery where I saw, on display in the centre,
a model of Larut, a pet elephant belonging to Long Ja’afar in the
1800s. The story goes that the elephant had stumbled on tin deposits
near Taiping (later named Larut).
Other exhibits display the uses of tin and associated products, and
there are replicas of methods of hand-digging and mining as well as more
models of dulang washers and newly arrived Chinese labourers from the
1860s.
There are a couple of large models of open-cast mines, and buttons
you can press to light up various items of machinery. It was a pleasure
to find that the lights worked, as so often in museums you press a
button and nothing happens. Obviously, this museum is better maintained
than some others!
I was interested in seeing the old photos of various tin mines and
their workings. They brought back memories of the two mines I visited
years ago. I realised that there wasn’t much mention of tin dredges,
although of course it would be impossible to display much from these
giants, apart from the buckets. Also the Kinta Tin Mining Museum is
mainly devoted to the gravel pump method.
The museum opened just a year ago, at the end of October 2012. It is
the first of its kind in the country and was set up by Tan Sri Hew See
Tong, a former tin miner from 1949-1989.
It is great that entry is free although I feel most people would be
willing to pay an admission fee, especially considering the exhibition
halls have to be kept cool for the visitors. There are donation boxes in
the main halls so I hope visitors will be generous and give some money.
I found the museum to be quite fascinating and spent an hour there,
absorbed in looking at the displays and thinking of how hard the miners
worked to produce the tin that we take for granted.
The museum is definitely worthy of a visit and should be of interest
to children as well as adults. It is a fun way to remind and teach
people of the heyday of tin mining in Perak and one of Malaysia’s most
important industries.
-(The Star)
-(The Star)
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